Saturday, July 5, 2008

Part Two: Red Lips and Big Shirts



The hub of inspirational street fashion, Hel Looks, has provided me with my first subject. Please remember, this is merely a casual analysis, not an informed opinion. Also, nothing I say is a comment on this person as a person, but only on the way she dressed herself. It will be a positive review, never fear.

Rules

a. Choose outfits according to context and relationship.

She is wearing a striped collared shirt that adds an air of formality and care to her clothes, indicating that she cares about her appearance, and therefore, for the people on the street who have to see her. Nothing about her outfit is offensive in the West, generally. Her glasses give me the impression that she can be serious and focused if she wants to be.

b. Be aware that clothes tell a story.

She is carrying a weathered (leather?) briefcase, obviously because she wants to, not because she can't afford a new one.

[Side note: This ties into our generation's palate, formed by a deep-rooted nostalgia for the past. I think the cause of our nostalgia is a lack of story and tradition in our own lives that we believe was present in the past.]

The briefcase may be important to her because of where it came from, or, she may just like things that do not look factory-made. The little belt also adds shape to the shirt, flattering her figure, which is more the fifties look - a time when convention was very important, for better or worse.

[Side note: It's true that one-dimensional (American?) consumerism loves products that are flat, clean, and shiny new. The irony is that we, nostalgic and environmentally friendly as we wish we were, spend just as much money on worn clothing and accessories, all so that we can feel down-to-earth. Our desire to be more simple by wearing anything that looks historic and therefore from a time of hand-made goods - as if it was bought from Mr. Degas next door in his little shop - requires us to live anything but simple lives. However, it's a good thing that we turn away from the anonymity of the suburban commuter's culture. Whether we will ever be more than fake versions of the past is the real concern.]

c. Be imaginative.

She isn't wearing completely matching colours. The sweater is bright and bolder than her shirt, but still informal enough for on the street. Her black flats and grey leggings take care of the cute factor. Her hair, in my eyes, is the most important part of her look, because it's a little wild in a playful way without being unattractively out of order.

[Side note: Our generation's obsession with cuteness seems to be connected to our desire to be simple. Being cute is a child-like characteristic, and childhood is often less stressful, because of one's ignorance of the complexity of reality.]

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